voice advanced

Voice Advanced: Week #3

Week #3

List of Goals for the week:

  • Warm Up: Circle songs

  • Scale: Chromatic and Minor

  • Technique: Interval Recognition

  • Repertoire: For All We Know Harmony, Tonight You Belong to Me

  • Additional Studies: Minor and Major thirds and how they make up minor and diminished scales.

Paragraph summary of what was covered in class

This week we worked on the lower harmony of ‘For All We Know’ and started singing the first half of that with the melody. Used ear training / interval recognition to assist with entrances, and staying on harmony part while the melody is being sung. This song is a test in our ability to try and hear multiple parts at once and maintain our own! We also continued our work with singing chord progressions from music.

Assignment for next week

Review melody (whole song) and harmony (first half of song) of For All We Know. Begin to get familiar with the main melody (alto) line of Tonight You Belong to Me and sing it along with the recordings of both the alto and mezzo-soprano.

How to Practice this at home

Warm up (deep breathing, released on a slow hiss), slide on Nn’s, Mmh’s and slowly open up to Ahh’s. Moving through different intervals. Notice and try to release any tension you might be holding in your jaw, neck, shoulders, lips, or tongue.

Charts + Sheet Music + Diagrams

Tonight You Belong to Me.

Chord Progressions (ii V I)

Maryruth BarnettComment
Voice Advanced: Week #2

List of Goals for the week:

  • Warm Up: Hold triad chord in harmony. Move up and down half steps within a group to hear and experience singing major/minor/diminished/augmented triads.

  • Scale: Chromatic Scale

  • Technique: Hearing a half step

  • Repertoire: Review ‘For All We Know’ melody line and begin harmony work.

Hello! So great to meet you all last night. Really excited to sing with you for the month!

In class, we continued working on ‘For All We Know’, reviewing the melody and focusing on our rhythmic phrasing. How do the entrances line up with the downbeat? What lines are syncopated? We also began working on the lower harmony.

Assignment for next week

Sing through the melody and harmony of ‘For All We Know’. (You can sing along with the recording of Dylan and I singing both parts!)

Try tapping a pulse as you sing and feel how the melody interacts with the beat. Does it lag? Does it push?

How to Practice this at home

Do some light hums to warm up your vocal chords before you launch into singing the song. Sing through the song with the recording, and then try it on your own. If something feels off, try that section again, slowly, and see if you can find your way back before consulting the recording. See if you can identify if it was a question of rhythm, or an interval that threw you off.

Maryruth BarnettComment
Voice Advanced: Week #1

List of Goals for the week:

  • Warm Up:  Arpeggios using major and minor.

  • Scale:  The minor scale; minor arpeggios

  • Technique:  Hearing a minor third

  • Repertoire:  “For All We Know”, melody line.

  • Additional Studies:  Intervals studies. What are intervals, their names, and how to hear them.

Hello Advanced singers!  We began class by launching in to learning a song that has a few techniques that are new and a significantly harder than last session:  For All We Know, written in 1934. This is a beautiful tune and presents some challenges with interval jumps we’re not used to, so this will be a fun one to work on!  

Intervals: we practiced hearing and singing intervals.  An interval is the pitch distance between two consecutive notes.  For example, a C (Do) and an E (Mi) are an interval of a Major Third.  Using the C-major scale, we attached a number system to to how to hear them in context.  

C    D E    F G A    B C

1     2 3    4 5 6    7 8

The numbers in the above chart can be used to determine simple intervals!  C and F? It’s a fourth! C and A? A sixth! And so on.  

Assignment for next week

Practice the intervals using the interval drill (also will be posted in week two recap!)

Work on singing For All We Know, which will also be listen in week two, along with a recording.  

How to Practice this at home

As usual, do some vocal warm ups (intentional breathing exercises, scales, followed by some material you know well), and work slowly, thinking very closely about each pitch before you sing it.  You can pause the recording after every new interval to see how you’re doing!

Charts + Sheet Music + Diagrams


Maryruth BarnettComment